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Painting Still Life in Chiaroscuro with Dasa Pierce

Learn the secrets of the great masters such asDaVinci, Rembrandt, Caravaggio, Leffel, and others in creating powerful paintings!  Chiaroscuro isthe bold contrast of dark and light as amethod of painting that has been used by artists since the renaissance to create drama and the illusion of volume in modeling objects.  We will explore and emulate this dramatic way of painting to create our own masterpiece.

Date: Dec. 13th, and 20th
Time: 9:30am-4:00pm 
Cost: $120 or 4 class tickets(total 4 sessions)
Pre Sign-up Required.

Open for registration now.
Call 941-753-7755

GOALS:  The goal is to complete a chiaroscuro painting with a focus on dramatic lighting effect. We will focus on painting not the objects, but rather the abstract beauty of the light emerging from the darkness. Each session will prepare us for each next step. The instructor will demo each step. By the end of each 4 sessions, the student will

  • Finish a strong 3 dimensional chiaroscuro still life painting
  • Create a meaningful abstract underneath the realism using classical still life objects
  • Be able to clearly separate the light from the darks, and unify each
  • Create a clear focal point in the painting with additional supporting points of interest which keep the viewer in the painting

Session 1:  Composition

We will define chiaroscuro, examining a few prominent chiaroscuro painters and their paintings. We will discuss and demo setting up the still life. The student will compose a compelling still life, focusing on how the light reads through the set up. A focal point will be emphasized and the student will learn how to lead the viewer through the painting.  We will plan our block-ins using notans in the chiaroscuro tradition, and begin the block in.

Session 2:  5 Value System Block-in

The goal will be to complete a strong block-in.  The student will learn to unify the darks and create a single point light source.  The importance of a limited 5 values system in chiaroscuro paintings will be discussed and a 5 value monochromatic block-in will be executed.

Session 3: Color

We will be using a limited palette so that the student will not only learn how to use primary colors effectively, but also shortcuts to mixing any color. The student will also receive guidance in how to keep the colors clean and bright. The student will learn the importance of making and applying distinct color. We will be applying these principles directly to our painting.

Session 4: Brushwork, Unification and Details

Soft and hard edges – We will learn where to put them and how to make them, how to maintain 3D with exit clauses, and how to “spill” the light from objects so they seem to glow. We will also learn when and where to apply thin and thick paint, in addition to learning to use the palette knife for special effects such as lines, scraping, and creating interesting highlights. Finally, we will look at the whole, and re-evaluate what we need to “push and pull” to strengthen the painting.  This will include such things as evaluating and adjusting our lightest lights and darkest darks, unifying the highlights across all forms, unifying the resting space, and subordinating all that is not part of the light flow within the painting. This session will focus on reaching our original concept.

MATERIALS

Titanium white

Ivory Black

Cadmium yellow light

Cadmium red light

Ultramarine Blue

Yellow Ocher

Burnt Sienna

Gamsol

10” X 14” Ampersand board, or white canvas (cotton or linen)

Brushes, palette, paper towels (viva is best)

Palette knife – medium and long lengths

Medium – stand oil

Atelier Old Master Copy Painting Project with Charles Miano

Project: Old Master Copy Painting

“You have to copy and recopy the masters and it’s only after having proved oneself as a good copyist that you can reasonably try to do a still life of a radish.” – Edgar Degas

Many great artists knew the value of assimilating principles of art through understanding how previous masters worked. The greatest way to mastery is to stand on the shoulders of those who came before.

With that in mind Southern Atelier’s Project: Master Copy is pushing artists forward by teaching a sure-fire method for replicating great paintings of art history.  After choosing a suitable Master Painting, artists will learn the Atelier Method for creating a convincing Replica. This course will build an understanding of painting principles, processes and effects as handed down by example in the paintings of the ages.

 

Highlights:

  • Understanding the Masters mindset
  • Learning how to prepare the proper oil painting materials
  • Planning and Strategizing the design and layout of the master copy
  • Direct drawing and measuring 
  • 17th-19th Century techniques 
  • Disegno
  • Dead Color 
  • Ebauche
  • Color Harmony
  • Understanding paint layers- fat over lean
  • Value Systems
  • Old Master Palettes
  • Modeling Form
  • Creating the “Light Effect”
  • Finalizing the Painting

Class Price:  

$360 of 12 classes, 6 weeks for this whole course

Starting Dates: Oct 17th, to Nov 23th, 2018

Time: 9:30am -12:30pm, Every Wednesday and Friday morning

 

Miano Classic Painting Materials 

Oil Colors

{Colors are listed in the general layout of Miano’s Palette, from left to right, and generally from dark to light. Use only the best quality paints. Do not use student grade paint.} *Note: If one chooses to use paint containing Lead, please follow the necessary health precautions.

UltraMarine Blue or Lapis Lazuli

Ivory Black or Bone Black

Raw Umber (Used for Dead Color)

Burnt Umber

Mars Violet

Transparent Oxide Red

Alizarin Crimson or Lake

Venetian Red

Vermillion

Indian Yellow

Yellow Ochre

Cadmium Yellow medium

Lemon yellow or Lead Tin Yellow

Yellow grey (Used for Dead Color)

Titanium white or Lead White (Used for Dead Color)

Brushes

{Use the highest quality brushes}

Bristle brushes- variety of sizes, #2- #12.
Mongoose brushes- variety of sizes, #2- #12

Sable Rounds, #000-#1

Palette, Diluent and Mediums

Large Palette

Large Metal Brush Washer with lid, Walnut Oil and Paper Towels for cleaning brushes

Palette Cups for medium

Linseed Oil and Sun Thickened Linseed oil are the preferred traditional painting mediums. 

Traditional Megilp or Maroger are permitted but contain soluble lead and must be handled with care.

Liquin to control drying

*Note: turpentine, mineral spirits or any other toxic solvents are prohibited in the studio*

Supports

Canvas: cotton or linen, a variety of sizes, approximately 18” x 24”  – 30”x 40” will be used

Please follow studio guidelines when using Oil Painting Supplies. This includes proper disposal of towels as well as application of health standards including keeping containers closed and not eating or drinking in the vicinity of your materials.

 

Atelier Fundamentals of Figure Drawing Short Poses with Dasa Pierce

FUNDAMENTAL FIGURE DRAWING SHORT POSES WITH DASA PIERCE

Want to draw the figure well? Strengthen your Figure Fundamentals! In this Ongoing Class (open to all levels) working from a live model, we will stress short poses to give students a solid foundation in how to begin, plan and execute the “ideal” figure. Students will strengthen their ability to quickly capture the relationships of the pose, train the eye to simplify the information, and learn to build volume with basic shapes.  Additionally, students will solve problems and hone skills set through a special focus each week – such as foreshortening, anatomical landmarks, how overlap creates volume, how to study, and much more!

Class Price:   $300 for a bundle of 10 classes        $40 for a single class

(Plus $10 model fee)

Date: Every Saturday morning from 9:30-12:30

LEVEL:  Open to all levels

This is a class for beginners, but even the more advanced student will benefit from additional mileage of practice from a live model, and each week there will be a different informative focus.

DATES: Ongoing

OBJECTIVES & PROGRESSION

  • Gesture: Students will be able to quickly and convincingly capture the nature of the gesture, specifically building on the general 3 basic motions – the S curve, C curve and line and have opportunity to practice how these forms change as the model’s pose rotates.
  • Secret Figure: Students will be able to draw the “secret (stick) figure” accurately showing the relationships of the 3 main body masses (head, torso, and pelvis) and the limbs.Students will gain mileage in this skill so that it becomes second nature.
  • Volume (shape articulation): Students will create the illusion of volume through the use of basic 3-D shapes of the sphere, egg, cylinder, cubes, wedges, cones and overlapping contour lines. Shading is not part of the beginner course, as this course focuses on relationships and the “ideal” of the model’s pose.
  • Alternating gesture drawings with methodical approacheswill enable the student to draw spontaneously, energetically and lay the foundation for longer poses.
  • Weekly focus examples:

More in-depth study of topics such as Overlap, how to see & draw the 3D shapes, drawing the rotating model, how the knee moves and how to locate the patella, how the neck fits on the torso, how to use creases and overlap to indicate twists, how to use fundamental anatomical landmarks to add 3-D structure to the drawing – even if you do not see them, foreshortening, how the shoulder girdle and shoulder blades move in relation to the arms, hands, feet, head orientations and much more.

INSTRUCTION

  • Live Model short poses will strengthen the foundation of figure drawing. Mileage on the fundamentals of the relationships of the forms is key to drawing the figure with facility.
  • Demonstration– the instructor will demonstrate concepts on the live model, the skeleton as well as drawing, as appropriate.
  • One on One– Instructor will make rounds, working with each student, giving constructive criticism and individual demonstrations. The focus will always be on the “NEXT STEP” for each individual student, depending on their current skill level.
  • Handoutson key teaching points will be utilized as needed
  • Standing Homework Assignment:
  • Homeworkreview – students are encouraged to bring in homework for critiquing
    • use any source of model (live, internet (eg :Draw This on youtube), or book reference) to get at minimum 30 minutes a day practice (3 hours a week – it flies fast!)
    • The serious student, no matter the skill level, is also encouraged to attempt to draw from memory or imagination as part of routine homework.

MATERIALS

  • Any drawing instrument such as charcoal, graphite pencil (2B through 6B)
  • Kneaded eraser or chamois
  • Sandpaper pad to sharpen pencil
  • Drawing board & Drawing Pad – eg: 18”X24” Strathmore 400 White or newsprint
  • Advanced Students may use monochromatic paint

Recommended support material:

Draw This – Youtube (online figure model sessions)
Bridgman’s Complete Guide to Drawing from Life, book by George Bridgman

Drawing/Tonal Studies

Date: Every Saturday afternoon

Time: 1PM-4PM

Cost: $300 for 10 classes, $40 for single class, Plus $10 model fee

Senior Instructor: Charles Miano

First year students can expect to spend the majority of their practice on structural and mass drawing. Southern Atelier advocates a painterly way to draw. Mass drawing is an essential prerequisite for tonal painting. It is an atmospheric way to draw dependent more on tone than line. A focus on large masses of tone and edges conceptually working in layers eases an artist’s progress into painting.
This session remains an important part of the program for progressing painters.  It revolves around the simple idea that consistent practice in a forward moving direction yields fruitful results. Through specially designed exercises over time, students are improving their ability to see as an artist and translate what they see onto a 2 dimensional plane. Many principles of painting are learned through the consistent practice of Mass Drawing including but not limited to: shape, tone, edge, form, proportion, structure, rhythm, balance, gesture, anatomy, design and composition. All of these ideas are more readily grasped when a student does not have the added complication of color and paint handling.  By improving ones skills with charcoal one is improving their skills as a painter.

Through training students learn that enhanced visual perception is developmental. Tonal study reinforces all the ideas of mass drawing and blurs the line between working in charcoal and working in paint. In this class artists may work in charcoal or in a prescribed limited oil paint palette. A grisaille or monochromatic approach allows an artist to consider paint handling along with reducing a subject to simple mass relationships. Ultimately our goal is to translate the world around us by means of light. It takes an artist consistent practice to develop their ability to see and translate shapes of tone representing values of light in our pictures. An understanding of a system of value reinforces an artist’s capability to depict reality and will ultimately aid in the transition to full color.

Atelier Method Life Figure/Portrait Drawing and Painting with Charles Miano (Long Pose)

Our Next Long Figure Pose will start on Jan 2nd. 2019

Open for registration Now!! call 941-753-7755

Wednesdays & Fridays 9:30-12:30pm

Join Charles Miano and the Atelier Apprentices in the Portrait/Figure Long Pose Sessions. Southern Atelier’s Method of life drawing is very unique for art schools. It features working life size from the model for a total of 10 – 3 hour sessions in the Academic Tradition. In addition to spending quality time on your drawing, our proven method allows students to grow to a higher degree of draftsmanship, rapidly. Artists who have a strong drawing background may progress to working in oil during our long pose project classes. Don’t miss this rare opportunity!

Man Reaching11

To register students must commit to 10 sessions (2 sessions per week for 5 weeks). Sessions will be held on Wednesday and Friday from 9:30am to 12:30pm.

Dates for this long pose are Jan. 2,4,9,16,18,23,25,30, and Feb.6,8, 2019

Course Price:  $400 (includes model fee)

Registration open. Pre-signup required

 

Nov. 28—Dec. 7, 2018, Modern American Realist Master Class at Southern Atelier 10-Day Master Class with Steven Assael

Our Master Class Sessions are a special next level program of study for the for aspiring Professional Artist.

Attending a workshop with a contemporary Master Artist is a dream come true for artists. Steven Assael will bring his experience and talent to Southern Atelier for a 10-day Master Class, November 28 through December 7, 2018. This will be a memorable opportunity for artists to reach new heights of expertise and skill with one of the best contemporary American realist artists.

Assael’s 10-day Master Class at the Southern Atelier focuses on analytical and emotive approaches to painting the human figure. The class will have multiple models in long poses and will use both cool and warm light. Assael will emphasize important aspects of his process, such as the importance of color, value relationships, and the development of form in a related atmosphere. He will review the importance of observation, anatomy, proportion and plane shifts, projecting and receding from the eye and how to create an alla prima technique which involves both scumbling and glazing. The class will also include drawing and painting demonstrations, short lectures and daily critiques by Steven.

The works of Steven Assael speak volumes, and this living master will teach you to harness the beauty and spirit of any individual. Be prepared to be immersed in a fun and intensely focused painting workshop of a lifetime!

A native of New York City, Steven Assael is one of America’s leading contemporary figurative masters. He is a graduate of Pratt Institute in Brooklyn, NY and currently teaches at the School of Visual Arts in NYC and New York Academy Graduate School. His paintings are in public and private collections throughout the country. Assael’s work predominantly portrays the beauty of his subjects, but he also incorporates both their grittiness and their poignancy, all qualities of the modern human struggle. Through his selective process of rendering the human form, he derives his techniques from the Old Masters to create works of art that grab the viewer’s attention and capture the true essence of the model.

MASTER CLASS FEE $2500
(includes model fee)

 

January 11-12 and Jan 19-20, 2019 Structural Portrait & Figure Drawing with Dan Thompson

Living Master Dan Thompson is known throughout the world as a leading Instructor of Life Drawing. His approachable and informative style of teaching is a joy for students of all levels who want to take their work to the next level. This foundational class will bring solidity and structure to ones figurative works through the application of clear conceptual understanding.

This workshop has been created for students of life drawing and portraiture who are motivated to enhance their seeing as they strive to better understand the human figure.  Students will experience a series of lessons, revolving around drawing the head and shoulders, from direct observation.  Using the same pose, the workshop will underscore complimentary drawing techniques that can translate observed phenomena into comprehensive surfaces, informed by structural anatomy.  As the drawings are pushed, nuances will arise from comprehending the tactile nature of organic human form.  The overall exercise is intended to better facilitate a path toward decoding the mysteries of the figure and enhance design decisions in ongoing student drawing from life.

Workshop Fee: $550 + Model fee

 

February 1-3, 2019 Drawing from the Inside Out: Still Life Painting with Dennis Perrin

Dennis will help you realize your potential as an artist by going beyond materials and techniques. Creator of The Perrin MethodTM, Dennis’s teaching covers not only the technical aspects of painting, but also the thought processes behind painting with special emphasis on the power of belief and intention. The principle subject will be a floral still life in oil but may also include some outdoor painting in a garden or with a figure in the scene.

Dennis Perrin can best be described as a painter of light as it illuminates and describes the subject. In order to fully “capture” the light and the energy of his subjects, Perrin always chooses to paint in front of the subject, not content to settle for photography or video as painting reference. As a result, the Perrin style is a unique blend of brushwork and design know best as Painterly Realism.

Perrin has also been called an American Impressionist in the Boston School tradition, and that is not surprising since among his greatest influences are the American Painters John Singer Sargeant, Edmund Tarbell, and Frank Benson, as well as the French painter Henri Fantin-Latour. Other major influences have been Diego Velasquez, Johannes Vermeer, Thomas Dewing, Maxfield Parrish, Joseph DeCamp, Joaquin Sorolla, and so many others. A former member of the Guild of Boston Artists, Mr. Perrin paints in order to express his great love for the beauty seen all around, especially in his immediate environment.

Dennis studied at the New Orleans Academy of Fine Art with M. Dell Weller, who taught him the power of seeing and translating his vision of the natural world into paint. He continues his studies exploring the subtleties of light through paint. Among his favorite subjects are the human figure, clothed and nude, flowers, still life, and the interior space, often populated with one or more figures. Though not as frequently seen in his work, Perrin is an avid plein air painter of the New England landscape.

Dennis Perrin is also a renowned teacher and the founder of The Perrin Method™, the world’s leading edge online Atelier. His teachings and techniques for painting and artistic thought are now in practice around the world. More about The Perrin Method™, his online courses and live workshops and retreats can be found by visiting www.theperrinmethod.com.

Workshop Fee: $550

Feb 25-Mar 1, 2019 Plein Air Workshop with Huihan Liu:Painting “Old Cortez”

Huihan Liu-Plein Air Painting Workshop / Painting “Old Cortez”

The Southern Atelier welcomes Master artist Huihan Liu!  His paintings are known as impressionistic realism and appear to be delightfully spontaneous. Join us in this five day work shop, as Huihan shares his knowledge, focusing on the plein air experience.  We plan on painting at the historic Cortez fishing village.  In four days, you will create several studies which will be used on the last day, in a studio setting. Huihan will guide you as you gather information for these field studies. You will learn how he develops his compositions and paintings that express a painterly energy.

Date: Feb 25-Mar.1st, 2019

Workshop Fee: $950

Cortez is one of the last remaining fishing villages on FL Gulf Cost. With its nature setting, it is an ideal place and inspire for plein painter to explore and to preserve the beauty of village.

Learn and proficiency in plein air painting skills from quick study on location to the studio painting in combination of studies and photo reference.

   

Class Plan:

Day One- Introduction of Plein Air Painting, study the moment of light and shadow, color atmosphere, be engaged work on each study at the limited time from 20-40 minutes. 6 of 8” x 10”.

Day Two- Topic: Color Temperature. 4 of 9” x 12”.

Day Three- Topic: Water Reflection, 4 of 9” x 12”

Day Four- Topic: Paint the Characteristic Cortez From Vantage Point. 2 of 11” x 14”.

Day Five-Topic: Studio painting From Studies on Location. Final Critic.

Color Pallet

Titanium White, Alizarin Crimson, Cadmium Yellow, Ultramarine Blue, Cerulean Blue, Viridian.

Canvas / Panel

8” x 10”, 9” x 12”, 11” x 14” will be for outdoor painting.

14” x 18” will be for studio painting.

 

March 25-29, 2019 Clothed Figure Painting with Zhaoming Wu

In this 5-day workshop, Zhaoming will teach a traditional “painterly” technique of oil painting.  It will be applied to figure painting in an “alla prima” approach.  Emphasis will be placed on composition, color and understanding light on form.  It will include the process of producing appropriate values and edges to create mood and atmosphere. Students will be led into figure painting practice by observing Zhaoming’s demonstrations along with individual instruction, and critiques. Zhaoming’s understanding of classical techniques and superb draftsmanship has enabled him to paint in a loose manner, developing his own concept and personal style. His workshop is special and limited to a very few throughout the year.

Workshop Fee: $950 plus shared model fees.