Classic Alla Prima Portrait Painting with Charles Miano

Fridays 9:30-12:30 pm

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Portrait and clothed figure painting is the focus of this comprehensive course, open to all levels. Through extensive painting exercises and demonstrations, Miano will describe his technical approach to creating a painting in oil. He will also expound on various traditional methods to help students better understand structure, gesture, brush calligraphy, composition, form, light key and much more. Through long poses, students in this class will learn to work in the methods of the old masters while balancing contemporary color sensibilities.

Classic Life Drawing and Painting with Charles Miano

Man Reaching11Fridays 1 – 4pm with Charles Miano (excepting final Friday of the month)

Longer Figure studies teach students to create finished works. Here we take all the elements from the short pose and take our time in developing a cohesive figure with life and light. Students in this class have the opportunity to work in a variety of media as they progress including Charcoal, Oil Paint, and Chalk.

Painting the Landscape

LJ's vineyard Costanza_webMonday & Friday 9:30 – 12:30pm & 1 – 4pm with Gene Costanza

This landscape painting classes teaches students how to search for natural compositions and how they can be made into paintings. Covering the essentials of the landscape this class students will guide students in the use of value and color to create a believable feeling of light and atmosphere.

The Art of Tai Chi

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For Health, Longevity and Creative Enrichment

Sundays, 12:15 PM: Introduction to Chen Tai Chi with Jinsong Yan

For thousands of years the Chinese have enjoyed the benefits that Tai Chi has to offer. Today many individuals of all ages and backgrounds from around the world are discovering what the Chinese have known for centuries, that the daily practice of Tai Chi manifests dynamic and powerful changes in one’s physical and mental well-being.

Coming soon: Join legendary teacher David (Jin Hua) Shi in bringing better health, increased vitality, mental clarity and a calmer spirit through the ancient Chinese art of Yang style Tai Chi. A practitioner over 30 years of both Chen and Yang old forms, David will use his masterful knowledge and skill to impart the ancient benefits of Tai Chi Chuan.

$15 donation per class – classes are ongoing

Charles Miano, Founder

mianoportrait3Artist Charles Miano considers nature to be his ongoing principle educator, though he has studied realist art privately and academically in the United States and abroad. Miano continues his studies and experiments at his studio Southern Atelier with masters from around the globe.

He teaches what he considers to be a “way of artistic truth”. He feels this path to be revealed by fundamental insights and principles of nature which are intrinsic in the visual disciplines of drawing and painting and demonstrated throughout art history. He also feels these foundations bear a direct influence on humankind as individuals, affecting ones well being, way of life and creative potentiality.

Creating a Landscape Painting with Gene Costanza March 21 – 23

CostanzaIMG_6152smCreating a Landscape Painting with Gene Costanza

March 21th – 23th, 2014 9:30 AM – 4 PM
Fee: $375 plus model share

 

 


One cannot always be outside, and many of the strongest pieces of representational art are executed over time in the studio. With this in mind, these workshop-style classes will usually begin with a presentation that either introduces and/or reinforces the basics of getting started on a painting, whether in the studio or in the field.

Gene closely follows the tenets of John F. Carlson and his insistence that the student (whatever the experience level) adhere to some strong fundamental principles. This means that the sessions will be “power -packed” with both information and execution, and drive our skill sets in a comprehensive and intensive manner.

We will progress through exercises designed to equip each student with skills that will be useful in continuing their personal growth toward their individual goals. For as much time as is possible – given the variables of location, class size, and weather- Gene will spend time with each individual student at their easel – one-on-one “private” mentoring time. He will demo and paint alongside the group, reinforcing the tenets mentioned above.

Class is open to all levels – though students should be somewhat familiar with their equipment and be comfortable “setting up.” We are going to learn things that you can take with you into the field no matter where on the planet you find yourselves – and, above all, have a great time!

En Plein Air Painting: The Essence of Landscape

November 16-18, 2012 9:30-4PM

Tuition: $395
*Supply list will be supplied upon registration and full payment.

Download a Registration Form

The Southern Atelier’s Charles Miano will illustrate a cohesive procedure designed to enhance the artists ability to understand color and light with a variety of light key studies in oil.

 

This workshop will focus on painting a variety of subjects including simple still life and figure/portrait wo

Sarasotavisualart.com: An interview with Charles Miano

An Interview with Charles Miano on Sarasota’s Southern Atelier

by Charles Valsechi

By Daniel | Published: April 26, 2012
What separates the Southern Atelier from local art centers and private art schools?

Southern Atelier is the only local institution whose primary focus is the study of drawing and painting from life.

How does the Southern Atelier differ from every other Atelier?

Through my travels and associations I’ve had the privilege of learning methods and techniques from a variety of sources. I can honestly say that Southern Atelier is devoted to the study of nature not the study of a particular technique or style of painting. When I say nature I mean the direct observation of the natural world including its personification the human figure. We see painting as a visual language that is constantly evolving and bettering itself. Our goal is not to mimic a particular master painter or historical style but to build on the masters shoulders allowing the universal principles of nature to guide and direct our progress. I have always found that the great masters of art had more in common than they had differences. This common thread could be described as a way or path of visual truth. Fundamental principles of nature have been taught in a variety of ways. We feel we have some of the most effective methods to get these insights across to students combining traditional as well as innovative approaches. So we really believe in the whole of world art history including Eastern and Western influences. We try and stay away from replication of one particular segment of it. We also try not to promote any one particular artist over another, no matter how strong the talent. Southern Atelier is not about one person, nor fame or even a name… It’s about the progress of humanity in art.

Another thing that separates us is the concentration on the spiritual and emotional impact of realist art. Not only do we learn to copy nature skillfully but to instill it’s essence and vitality. We learn through our years of study that painting has progressed away from a colored drawing to an expression of light and life. We realize that our growth is an infinite path and through humility we give back to the art itself. This is stressed at the atelier through short and long term life studies, rigorous academic drawing development from nature and memory as well as outdoor and indoor impressionist light key study. Our location here in the Southern part of the continent gives us the benefit of studying color under the sun’s illumination all year long. Few, if any, schools have that capability or are in a position to take advantage of that.

We feel this will give an artist the development necessary to reach new heights of creative potential through the coalescence of technique and concept. In addition, you’ll find our prices, as a nonprofit, a fraction of the cost of other programs.

How did the Southern Atelier begin?

It began years ago at Art Center Manatee where I was painting at the time. I had no desire to teach but was approached and offered a “painting class”. I now realize how vital teaching is. I told them that I could not deceive a student into believing that they could learn this craft in a mere “painting class”. So I told them that if they really wanted students to learn, I would be happy to develop a program for them. That program included all the seeds of our current curriculum, including foundational drawing skills and impressionist color study.

That “atelier” program grew exponentially until we needed a place of our own. Artists began to come from all over the South. We originally rented a barn out in the country from the Humane Society before we moved into town. Southern Atelier happened quite organically, a true grass roots movement.

Which artists from the past influence you most?

It depends on the path of my growth. For instance, if I’m interested in improving the personal and expressive content of my brushwork than I would say the literati and ch’an painters of the Sung Dynasty most influence me. If my interest is improving color, than I look to the impressionist lineage whether it be French, American or Russian. If my drawing needs expressive gesture and attention to anatomy than I am interested in studying the Italian masters. If its accuracy and refinement I’m after than I study the academicians. I am certainly one who appreciates the strengths of others and in that confluence delight in my own progress.

What kind of atmosphere does the Southern Atelier have?

The Southern Atelier is humble and enchanting. It is a joyful place bathed in natural light, a bohemian refuge from the clutter of the world where ego melts away. It’s where we heal our most potent creative energies and yet demand of ourselves tremendous discipline. Our Teachers, Staff and Monitors set the tone with great effort, making the atmosphere up building and encouraging. We also foster an inclusive community of support and sharing, an environment of growth, free from petty competition or divisiveness, with a healthy reverence and respect for each other, for art and for the natural world. We learn that when we cultivate inner knowingness, our environment improves as well as the profundity of our work.

What makes a great painting?

A going out of one’s self into nature unafraid and exalting.

 

Color Perception Workshop with John Ebersberger

Friday-Sunday October 21-23, 2011
9:30-4PM

Tuition $425 
The model fee will be split among the student*
Supply list will be supplied upon registration and full payment.

Download a Registration Form

This intensive three-day workshop will help the student unlock the mysteries of color perception and its use in describing light in representational painting. John studied with American Impressionist Henry Hensche during the last ten years of Hensche’s life. In this workshop you will be introduced to the unique method of color study developed by Hensche and his mentor, Charles W. Hawthorne at the famed Cape School of Art in Provincetown, MA.

There are no theories or color recipes to memorize in this approach which is based on direct observation of color and light.  We will begin outside with simple forms of still life on the first day.  On the second and third day we will study the portrait and figure – learning to see, mix and paint color that creates the vibrant illusion of light.  Palette knives will be used to facilitate focusing on the main masses of color and their relationship in the painting. Daily critiques and demos will be included, as well as a slide shows/digital talk.